Sometimes the process of stringing words together starts to click and you find that you have written a story: Dragons fly off the pages burning hobbits, characters say the darndest things, and you wonder why you accidentally killed the lead. Sometimes, when it clicks really well, like it did for my friend and author, Seamus Heffernan, you end up with a novel. In his case, it resulted in the crime novel Napalm Hearts and its sequel Ten Grand. So today, I’m delighted to have Seamus with me to talk about writing and the creative process.
Here is what I wrote about his first novel:
In Napalm Hearts, a bored, recently divorced detective, Thaddeus Grayle, takes on the case of the missing wife of London socialite and political hopeful Andrew Claymore. Since I want to make sure I don’t give away anything of the story, I want to focus on Seamus’ ability to bring alive a wide cast of characters set in modern-day London. Jumping from a name on paper to your imagination, this cast comes alive with very simple swishes and flicks of written strokes, a style reminiscent of a gleeful swashbuckler.
There’s Charlie, Thaddeus’ temp and secretary, the photographer and associate Ruddick, the bartenders, the bad dudes, the daughter, the ex-wife, the affair, the clientele. Clocking in at 158 pages, that’s frankly a rather tall order for character exposition. The style is accessible, modern, using conversation as the storytelling medium. It is fast, quick, but dangerous if you cannot give each character a voice that resonates in your head as being the individual from which it originates. It’s an ability that I admire in authors like Nick Hornby and it’s an important part of bringing the characters of Napalm Hearts alive; not to mention some very slick and well-imagined prose to sink your teeth into.
As a screenwriter, Seamus’ work has earned him entry to the 2022 Stowe Story Lab and the 2022 Willamette Writers FilmLabTV. His short fiction has appeared in The Raspberry and Louden Singletree, and his story “With Special Guests” was a 2018 Screencraft semi-finalist.
