Johnny Nolan returns as my co-host for another Newfoundland Alternative music deep dive, but this time we are honoured to be joined by author and journalist Rhea Rolman. We wanted to explore the influence of alternative music on alternative communities in St. John’s, Newfoundland and how music is important in creating safe spaces during the 1990s and even earlier.
The 1990s Analogue Culture: Yup this was before the time of Social Media and we had to rely on concerts, gigs, and the radio of all things!
Safe Spaces and Organising: Rhea explains how the music scene provided vital safe spaces during a time when minorities, especially sexual minorities, may have faced repression in Newfoundland.
Festivals as Catalysts: We chat about how events like the Peace Accord and modern festivals like Lawnya Vawnya bring diverse groups together to exchange ideas.
Saving CHMR: Rhea shares the story of the recent community fight to save the funding for the campus community radio station, preserving one of the last remaining creative spaces in the city.
About Rhea
Rhea Rollmann (she/her) is an award-winning journalist, writer and audio producer based in St. John’s, NL, and is the author of A Queer History of Newfoundland (Engen Books, 2023).
She’s a founding editor of The Independent NL and her journalism has appeared in Briarpatch Magazine, CBC, Xtra Magazine, Chatelaine, PopMatters, Riddle Fence and more.
Special Thanks for their tracks with permission
Bob Earle and Draize Eye Test
Liz Pickard and the Lizband for One Song
Phil Winters and the band Bung for Ramirez.
